5 StarsThanks to Netgalley.com and the publisher for allowing me to read an advance copy in exchange for a review!
Okay,
I have no idea why I waited so long to read this one. I’ve had it on my
kindle app for weeks and weeks because the cover was so evocative and
the plot sounded interesting but I just kept getting distracted by other
books which weren’t nearly as good as this one (some of the books I was
distracted by were very good, but most of the ones I’ve read haven’t
been). I’m kicking myself for taking so long to get around to this. Van
Allen has a real way with words, turning what should otherwise be a
common turn-of-phrase or even a simple simile or metaphor into pure
poetry. Seriously, I got shivers a couple of times while reading because
her language was just so beautiful.
These were characters I could
like and root for even when they did things I didn’t like (and for the
most part the things they were doing that I didn’t like I could still
understand why they thought they had to do it, which is just good
character development). Aubrey with her crazy blue eyes, her outsider
status, and her deeply-rooted belief in the Stitchery and its magic.
Bitty with her standoffishness and cynicism against magic that slowly
melted away as she let herself just be around her family. Meggie with
her crazy quest even in the face of the pain her absence causes and her
ever-changing look (I wish this was a movie because her character is a
costume designer/hair designer’s dream). And Mariah, who was barely in
this book and yet felt like such a big presence, like someone you really
wish you could’ve gotten to know. And the Stitchery itself sounds
wonderful and magical even in its current rundown state.
I must
confess that I had never heard of Tarrytown itself and so was a little
surprised to find out that it was so closely associated with Sleepy
Hollow and all the mythology surrounding that area. I loved that there
was more to their town than just Washington Irving’s story, that there
were more urban legends and myths that could be explored. It was
fascinating to learn about even though it wasn’t expounded upon that
much in the novel itself (it made me want to go visit as well as doing
some research into those legends).
I loved all the little
descriptions of the knitwear produced or worn throughout the book. It
felt so natural given the setting and the occupation of those in the
Stichery. For some of the descriptions, I had to wrack my brain to
remember what those particular patterns look like but more often than
not I had to look it up on the internet to get a clearer picture. Most
of all, it made me want to pick up some knitting needles and get to
work, but sadly it’s been so long since I learned to knit that I’ve
forgotten most of it and would need some refresher courses to help me
along (I can still crochet though, so there’s that). It made me want to
make something for someone and infuse some good thoughts, prayers, and
maybe even a little magic into it (maybe a love spell for Benedict
Cumberbatch? Too much?).
I’ve got to say, I wasn’t expecting the
romance that unfolded (well, not at first. Once Vic came on the scene I
was wishing with every fiber of my being that he and Audrey would end up
together) but boy was it a doozy. It felt natural and beautiful and
pretty hot even though it wasn’t overtly described (serious kudos to Van
Allen for being able to make one kiss a million times steamier than
anything in Fifty Shades of Grey or any other romance novel I’ve read. I
think I’ll take some notes for my own writing) and yet was as evocative
and sensual as any other love scene I’ve ever read (actually most of
her scenes were better than most other scenes I’ve read. I think it had
something to do with that things were only touched upon and not written
out in lurid detail. It’s sorta like how horror movies are so much
scarier if you don’t see the monster/ghost/baddie but catch only brief
glimpses and the rest is left up to your imagination, but for romance
instead). And seriously, I nearly cried at a pivotal point. I was so
shocked by almost crying (I didn’t let myself cry because I was at work
and that could be weird) even though I’d seen the sadness coming; I just
hadn’t expected to be so heart-broken. Again, kudos to Van Allen for
writing characters that seemed so real despite all the magic and mystery
that I felt my heart break right along with one of them.
[The only qualm I have about the book is that it felt like there was
some mystery surrounding Mariah’s death, especially as it happened
around the Halperns. I might be wrong (it’s a good chance as my memory
is very spotty) but I thought Mrs. Halpern said something about “it
needed to be done” as Mariah’s body was wheeled away. That made me think
that they’d somehow caused Mariah’s death and that there might be some
element of mystery surrounding that that could derail the vote. Also, I
was yelling for someone to try and get the Stichery declared an
historical monument. I mean seriously, the house has been there since
the Revolution. Surely it has some historical value and should be
preserved. In the end I understood why it couldn’t be saved (because
everything changes and life moves on and it wasn’t the end of the Van
Rippers) and liked that the Stitchery sort of fought back against the
demolition and that it wasn’t necessarily a happy ending, but instead it
was just an ending, good and bad, very true to life.]
I was smiling as I finished the book, and that’s always a good sign for me.
Oh,
and Lisa Van Allen, if you happen to read this, I would not be adverse
to some kind of sequel revolving around the next generation of the
Stitchery. I know it’s not really necessary but it could be fun,
especially with Nessa’s pink hair coming in (and I want to know if Vic
and Audrey have babies! Because I bet they’d be adorable). :)
And I
didn’t even talk about the magic, which I found completely fabulous and
unique from other books I’ve read. It wasn’t overblown or crazy or even
all that unbelievable. I, like a lot of the characters in the book,
found myself drawn in so that I believed in the magic of the Stitchery
as well. Even though some bits reminded me slightly of Practical Magic, I
think Van Allen handled the magical elements in such a way that they
were light and believable (I certainly wish there was someone who could
knit me a magical good luck charm).